Capo 3 8 11

1. Capo 3 8 11 Iso
2. Capo 3 8 11 8

Please Note: 12-String & 8-String Guitars should use our High Tension OctaveTouch fretpads to get the best performance. Standard Tension and High Tension Rubber fretpads are included with every capo. Our Teflon fretpads will likely not work on instruments with octave strings. Size chart guide fret board.

A capo, or capo tasto in full length, is a device used for change the key without changing the tuning. Archicad 22 build 4023. You just attach the capo around the guitar neck on a fret that you choose and the pitch is raised (place the capo over the fretboard as you would do with your index finger playing a barre chord). Sometimes you see notes like 'Capo 3' or 'Capo 5'. This mean that you should attach the capo around the guitar neck on these frets.

The capo is especially a splendid solution if you find it difficult to play barre chords. With the assistance of a capo you can rearrange the barre chords to open chords in new positions – see the chart below. The capo is furthermore a great tool for those who want to find new ways in their guitar playing.

Transpose with help of the capo

1. Serial El capo Season-3 Part-8 سریال کلمبیایی الکاپو. You disliked this video. Thanks for the feedback!
2. AmazonBasics Zinc Alloy Guitar Capo for Ukulele and Banjo, Copper 4.2 out of 5 stars 115. 3.5 x 1.8 x 1.8 inches ASIN B01H62FQ3U Item model number ST-8.

The chart below is a guide that helps you find the right chord using a capo.

Comment

To the left you see diagrams with chord shapes and next to them the chord names. The numbers on the top indicates on which fret the capo is placed. If you place the capo on the third fret and play the Am chord shape, we find out by the chart that the result is a Cm chord. You can of course go further than the sixth fret, but it will soon be very short of room for your fingers. See a picture of fretboard with notes.

Examples of how the chord changes

C Capo 2 = D | C Capo 4 = E | C Capo 5 = F
D Capo 2 = E | D Capo 3 = F | D Capo 5 = G
E Capo 1 = F | E Capo 3 = G | E Capo 5 = A
G Capo 2 = A | G Capo 4 = B | G Capo 5 = C
A Capo 2 = B | A Capo 3 = C | A Capo 5 = D
Dm Capo 2 = Em | Dm Capo 3 = Fm | Dm Capo 5 = Gm
Em Capo 1 = Fm | Em Capo 3 = Gm | Em Capo 5 = Am
Am Capo 2 = Bm | Am Capo 3 = Cm | Am Capo 5 = Dm
See also The Capo Chart ebook with over 300 chord diagrams including partial capo.

1. Capo 3 8 11 Iso
2. Capo 3 8 11 8

Please Note: 12-String & 8-String Guitars should use our High Tension OctaveTouch fretpads to get the best performance. Standard Tension and High Tension Rubber fretpads are included with every capo. Our Teflon fretpads will likely not work on instruments with octave strings. Size chart guide fret board.

A capo, or capo tasto in full length, is a device used for change the key without changing the tuning. Archicad 22 build 4023. You just attach the capo around the guitar neck on a fret that you choose and the pitch is raised (place the capo over the fretboard as you would do with your index finger playing a barre chord). Sometimes you see notes like 'Capo 3' or 'Capo 5'. This mean that you should attach the capo around the guitar neck on these frets.

The capo is especially a splendid solution if you find it difficult to play barre chords. With the assistance of a capo you can rearrange the barre chords to open chords in new positions – see the chart below. The capo is furthermore a great tool for those who want to find new ways in their guitar playing.

Transpose with help of the capo

1. Serial El capo Season-3 Part-8 سریال کلمبیایی الکاپو. You disliked this video. Thanks for the feedback!
2. AmazonBasics Zinc Alloy Guitar Capo for Ukulele and Banjo, Copper 4.2 out of 5 stars 115. 3.5 x 1.8 x 1.8 inches ASIN B01H62FQ3U Item model number ST-8.

The chart below is a guide that helps you find the right chord using a capo.

Comment

To the left you see diagrams with chord shapes and next to them the chord names. The numbers on the top indicates on which fret the capo is placed. If you place the capo on the third fret and play the Am chord shape, we find out by the chart that the result is a Cm chord. You can of course go further than the sixth fret, but it will soon be very short of room for your fingers. See a picture of fretboard with notes.

Examples of how the chord changes

C Capo 2 = D | C Capo 4 = E | C Capo 5 = F
D Capo 2 = E | D Capo 3 = F | D Capo 5 = G
E Capo 1 = F | E Capo 3 = G | E Capo 5 = A
G Capo 2 = A | G Capo 4 = B | G Capo 5 = C
A Capo 2 = B | A Capo 3 = C | A Capo 5 = D
Dm Capo 2 = Em | Dm Capo 3 = Fm | Dm Capo 5 = Gm
Em Capo 1 = Fm | Em Capo 3 = Gm | Em Capo 5 = Am
Am Capo 2 = Bm | Am Capo 3 = Cm | Am Capo 5 = Dm
See also The Capo Chart ebook with over 300 chord diagrams including partial capo.

Examples of how the key changes

If you play with a capo on the 2nd fret a song with chords like G, C and D will sound like A major.
If you play with a capo on the 4th fret a song with chords like C, F and G will sound like E major.
You probably get it now ..
So, if you have music written in the key of C# and I want to play it in A? In this case you could put the capo on fret 8, but it wouldn't be very practical. In this case you should probably not use a capo at all but transpose the whole music piece to another key. There are programs for that, for example Guitar Pro for guitar.

Emulated tunings

The capo changes the effective tuning of the guitar. If the capo is placed on the first fret, for instance, it will emulate the following tuning:
1st string (the thinnest) = F
2nd string = C
3rd string = G# / Ab
4th string = D# / Eb
5th string = A# / Bb
6th string (the thickest) = F

Choose the right capo

There are many models of a capo nowadays and accordingly the price fluctuates a bit. The cheapest with just an elastic band can be bought for a few dollars. But it is recommended that you use capos that are specially made to fit an arched or a plain guitar neck. The price for these capos varies between 20 and 40 dollars.
Three popular models seen on images below:
Donner DC-2 One Handed Trigger Guitar Capo for Electric and Acoustic (left)
Shubb Deluxe Series GC-30 (S1) Acoustic Guitar Capo (middle)
G7th Performance 2 Silver Capo 6-String (right)

Coordinates: 37°39′07″N24°01′34″E / 37.652°N 24.026°E

Cape Sounion (Modern Greek: Aκρωτήριο Σούνιο Akrotírio Soúnio[akroˈtirʝo ˈsuɲo]; Ancient Greek: Ἄκρον ΣούνιονΆkron Soúnion, latinized Sunium; Venetian: Capo Colonne 'Cape of Columns') is the promontory at the southernmost tip of the Attic peninsula, 8 kilometres (5.0 mi) south of the town of Lavrio (ancient Thoricus), and 70 kilometres (43 mi) southeast of Athens. It is part of Lavreotiki municipality, East Attica, Greece. It is part of Athens metropolitan area.^[1]

Cape Sounion is noted for its Temple of Poseidon, one of the major monuments of the Golden Age of Athens. Its remains are perched on the headland, surrounded on three sides by the sea.

History[edit]

The earliest literary reference to Sounion is in Homer'sOdyssey (III. 278–285). The story recounts that as the various Greek commanders sailed back from Troy, the helmsman of the ship of King Menelaus of Sparta died at his post while rounding 'Holy Sounion, Cape of Athens.'^[2] Menelaus landed at Sounion to give his companion full funeral honours (i.e., cremation on a funeral pyre on the beach).

Archaeological finds on the site date from as early as 700 BC. Herodotus (VI.87) mentions that in sixth century BC, the Athenians celebrated a quinquennial festival at Sounion, which involved Athens' leaders sailing to the cape in a sacred boat.

Deme[edit]

Sounion was a deme of the Leontis tribe (phyle) even before its fortification in the Peloponnesian War. Flowstate 1 32 – featured fullscreen writing app. It sent four men to the ancient Boule of 500 at the time of Cleisthenes, and later (3rd century BC) six men to the Boule of 600. In the 2nd century BC, Sounion is still on record as a deme, but now considered part of the recently-introduced Attalid phyle (created in honour of Attalus I).^[3]

The deme was located between Amphitrope to the west and Thorikos to the north. Its territory included parts of the Mines of Laurion. According to Traill (1986), the center of the settlement was situated somewhat to the north of the cape, between the modern settlements of Ano Sounio and Kato Sounio (close to 37°40′26″N24°01′48″E / 37.674°N 24.030°E).^[4]

Sounion was fortified in the nineteenth year of the Peloponnesian War (413 BCE) for the purpose of protecting the passage of the cornships to Athens,^[5] and was regarded from that time as one of the principal fortreses of Attica.^[6] Its proximity to the silver mines of Laurium probably contributed to its prosperity, which passed into a proverb;^[7] but even in the time of Cicero it had sunk into decay.^[8] The circuit of the walls may still be traced, except where the precipitous nature of the rocks afforded a natural defence. The walls which are fortified with square towers, are of the most regular Hellenic masonry, and enclose a space or a little more than half a mile in circumference. The southern part of Attica, extending northwards from the promontory of Sounion as far as Thoricus on the east, and Anaphlystus on the west, is called by Herodotus the Suniac angle (τὸν γουνὸν τὸν Σουνιακόν).^[9] Though Sounion was especially sacred to Athena, we learn from Aristophanes that Poseidon was also worshipped there.^[10]

Capo 3 8 11 Iso

Temple of Poseidon[edit]

The original, Archaic-period temple of Poseidon on the site was built of tufa. The Sounion Kouros, discovered in 1906 in a pit east of the temple alongside fragments of other statues, was probably one of a number of votive statues dedicated to Poseidon which probably stood in front of the god's sanctuary. The archaic temple was probably destroyed in 480 BC by Persian troops during Xerxes I'sinvasion of Greece.^[11] After they defeated Xerxes in the naval Battle of Salamis, the Athenians placed an entire captured enemy trireme (warship with three banks of oars) at Sounion as a trophy dedicated to Poseidon.^[12]

The temple of Poseidon at Sounion was constructed in 444–440 BC. This was during the ascendancy of the Athenian statesman Pericles, who also rebuilt the Parthenon in Athens. It was built on the ruins of a temple dating from the Archaic period. It is perched above the sea at a height of almost 60 metres (200 ft). The design of the temple is a typical hexastyle, i.e., it had a front portico with six columns.^[13] Only some columns of the Sounion temple stand today, but when intact it would have closely resembled the contemporary and well-preserved Temple of Hephaestus beneath the Acropolis, which may have been designed by the same architect.

Capo 3 8 11 8

As with all Greek temples, the Poseidon building was rectangular, with a colonnade on all four sides. The total number of original columns was 36: 15 columns still stand today. The columns are of the Doric Order. They were made of locally quarried white marble. They were 6.10 m (20 ft) high, with a diameter of 1 m (3.1 ft) at the base and 79 cm (31 inches) at the top.^[14] At the center of the temple, colonnade would have been the hall of worship (naos), a windowless rectangular room, similar to the partly intact hall at the Temple of Hephaestus. It would have contained, at one end facing the entrance, the cult image, a colossal, ceiling-height (6 metres (20 ft)) bronze statue of Poseidon.^[15]

Temple of Athena[edit]

The temple of Athena Sounias (Ναός της Αθηνάς Σουνιάδος 37°39′11″N24°01′37″E / 37.653°N 024.027°E), some 300 m northeast of the temple of Poseidon, is built on a low hill. It was built in 470 BC, replacing an older building of the 6th century. Its architecture was unusual inasmuch as it had a colonnades on the southern and eastern, but not on the western or northern sides, a peculiarity mentioned by Vitruvius.^[16] It was built adjacent to a peribolos identified as the burial mound and shrine to Phrontis, the helmsman of Menelaus whose burial at Sounion is mentioned in the Odyssey.

A smaller Doric temple next to the temple of Athena is thought to have been dedicated either to the hero Phrontis or to Artemis.^[17]A deep pit to the southeast of the temenos was used to deposit the remains of the Archaic-period offerings destroyed in the Persian invasion.

The temple of Athena was demolished in the 1st century AD, and parts of its columns were taken to Athens to be used in the South-East temple of the Agora.^[18]

Fortress[edit]

In 413 BC, during the Peloponnesian War against the Spartans, the Athenians fortified the site with a wall and towers to prevent it from falling into Spartan hands. This would have threatened Athens' seaborne grain supply route from Euboea. Athens' supply situation had become critical since the city's land supply lines had been cut by the Spartan fortification of Dekeleia, in north Attica.^[19] The Sounion fortress was soon later seized from the Athenians by a force of rebel slaves from the nearby silver mines of Laurium.^[20]

The Temple of Poseidon was situated in the southeastern corner of the fortress, with the garrison quarters arranged along a main stream on the western slope of the hill. The fortress included a small naval base, with a shipshed for two warships in the northwestern corner (37°39′09″N24°01′22″E / 37.6524°N 24.0228°E).^[21] The fortress was maintained well into the Hellenistic period.^[22] Repairs and additions to the fortress were made during the Chremonidean War (266–261 BC).

Literary reception[edit]

The name Capo Colonne (graecicized ΚαβοκολώνεςKavokolones) is reported from the 17th century, for the reason that unusually, several columns of the temple of Poseidon had remained standing since antiquity. Early modern descriptions in travelogues include those by G. Wheler (1676), J.-D. Le Roy (1754), R. Chandler (1765) and E. Dodwell (1805). Scottish poet William Falconer (1732-1769) was shipwrecked off Cape Colonna, as Sounion was then known, in 1750, an event depicted in the central scene of his The Shipwreck (1762).^[23]

The inscribed name of George Lord Byron, carved into the base of one of the columns of the Temple of Poseidon, possibly dates from his first visit to Greece, on his Grand Tour of Europe before he acquired fame. Byron spent several months in 1810–11 in Athens, including two documented visits to Sounion. There is, however, no direct evidence that the inscription was made by Byron himself. Byron mentions Sounion in his poem Isles of Greece:

Place me on Sunium's marbled steep,
Where nothing, save the waves and I,
May hear our mutual murmurs sweep..^[24]

Martin Heidegger visited Sounion during his journey to Greece in 1962, as described in his book Sojourns.^[25] He refers to the 'gleaming-white ruins of the temple'. In the strong sea breeze 'these few standing columns were the strings of an invisible lyre, the song of which the far-seeing Delian god let resonate over the Cycladic world of islands'. He marvels at 'the way that this single gesture of the land suggests the invisible nearness of the divine and dedicates to it every growth and every human work' (ibid.). He goes on to reflect 'the people of this country knew how to inhabit and demarcate the world against the barbarous in honour of the seat of the gods. ..they knew how to praise what is great and by acknowledging it, to bring themselves in front of the sublime, founding, in this way, a world' (ibid.).

Modern development[edit]

Cape Sounino a popular day-excursion for tourists from Athens, with the sunset over the Aegean Sea, as viewed from the ruins, a sought-after sight since the first development of modern tourism in the early 19th century.^[26]

Luminar powerful adaptive configurable image editing v3 2 0. Lavreotiki municipality was established in 1890 under the name of Sounio, but renamed to Lavreotiki in 1891. Cape Sounion itself is located between the villages of Kato Sounio and Legrena.

The Sounio national park (Εθνικός Δρυμός τού Σουνίου) was established in 1974 with a core area of 750 hectares.

Forming the southeastern endpoint of the Athens Riviera, Sounio is now an upscale summer home location for Athenians. Construction of villas across the bay northwest of Cape Sounio flourished in the 1960s to 1970s. The Grecotel Cape Sounio luxury resort was built in 1973.^[27]

The project Arrangement of the Archaeological Site of Sounion (2011–2013) was co-financed by the Greek Ministry of Culture and Sports and the European Union (ERDF).

Notes[edit]

1. ^https://worldpopulationreview.com/world-cities/athens-population/
2. ^ἀλλ᾽ ὅτε Σούνιον ἱρὸν ἀφικόμεθ᾽, ἄκρον Ἀθηνέων 'But when we approached holy Sounion, headland of the Athenians' (III.278)
3. ^epigraphic sources (epigraphy.packhum.org)
4. ^John S. Traill, Demos and trittys. Epigraphical and topographical studies in the organization of Attica. Athenians Victoria College, Toronto 1986, p. 131.
5. ^Thucydides. History of the Peloponnesian War. 8.4.
6. ^Demosthenes, pro Cor. p. 238; Periplus of Pseudo-Scylax, p. 21; Livy. Ab Urbe Condita Libri (History of Rome). 31.25.
7. ^Anaxand. ap. Athen. 6.263c
8. ^Ciceroad Att. 13.10
9. ^Herodotus. Histories. 4.99.
10. ^Aristophanes, Kn. 557, Aves, 869.
11. ^'Sounion Kouros'. University of Cambridge Faculty of Classics.
12. ^Herodotus, Histories, VIII.121.
13. ^Perseus Digital Library @ www.perseus.tufts.edu (search term: 'Sounion').
14. ^Perseus Digital Library, for search term 'Sounion
15. ^W. Burkert, Greek Religion (1987).
16. ^Sounion, Temple of Athena (Building) (Perseus Project)
17. ^Herbert Abramson, 'A Hero Shrine for Phrontis at Sounion?', California Studies in Classical Antiquity 12 (1979), pp. 1-19.
18. ^Christopher Mee and Antony Spawfort, 'Greece: An Oxford Archaeological Guide (2001), p. 100.
19. ^Thucydides, Peloponnesian War VII.28 and VIII.4.
20. ^Chisholm, Hugh, ed. (1911). 'Sunium' . Encyclopædia Britannica (11th ed.). Cambridge University Press.
21. ^David Blackman, Boris Rankov, Shipsheds of the Ancient Mediterranean (2013), p. 531.
22. ^Mark H. Munn, The Defense of Attica (1993), p. 10.
23. ^George Gilfillan, The Poetical Works of Beattie, Blair and Falconer (1854), p. 165.
24. ^Byron, Don Juan, Canto the Third 'The Isles of Greece'. Romantic Circles, The Byron Chronology, webpage: RC-UMD.
25. ^Sojourns: The Journey to Greece, translated by J. P. Manoussakis, State University of New York, 2005, p. 43ff.
26. ^Edward Dodwell, A Classical and Topographical Tour Through Greece: During the Years 1801, 1805, and 1806 (1819), p. 539
27. ^fr.hotels.com

• 'Sounion' in: Stillwell (ed.), The Princeton Encyclopedia of Classical Sites (2017), p. 854.

External links[edit]